![]() While the majority of contemporary browsers and devices support CSS animated backgrounds, some older browsers or devices might not be able to use specific animation effects or properties. ![]() ![]() Can I use CSS animated backgrounds on all devices and browsers? It’s also crucial to test the animation on various hardware and browser combinations to make sure it functions as planned. Using subtle animations that don’t detract from the website’s content, selecting colors and patterns that go with the overall design and branding of the website, and using animation effects appropriate for the website’s purpose and audience are some best practices for designing CSS animated backgrounds. What are the best practices for designing CSS animated backgrounds? Also, you can evaluate and improve the speed and functionality of your website using browser developer tools. Use best practices, such as reducing the number of animations utilized, adopting web-friendly file formats, optimizing picture sizes, and coding for performance, to make sure your animated background does not adversely affect the speed of your website. How do I make sure my animated background doesn’t slow down my website’s performance? Moreover, CSS animated backgrounds may be produced using code rather than relying on video files, making them lighter and more efficient than video backgrounds. They can also be used to draw attention to key information, make a page visually interesting, or express a brand’s character or message. What are the benefits of using a CSS animated background?Ī web page’s sense of dynamism and interactivity can be enhanced by CSS animated backgrounds, which can help users feel more engaged and have a better experience. Combining these attributes allows you to produce a variety of animation effects, including pulsing colors, spinning patterns, and moving gradients. The keyframes property gives the keyframes, or intermediate steps, of the animation, whereas the animation property specifies the name, duration, timing function, and delay of the animation. The animation and keyframes features in CSS can be used to create animated backgrounds. How can I create an animated background in CSS? ![]() By incorporating dynamic and captivating visual effects into their websites, designers can create this impact by employing CSS animations or transitions. What is a CSS animated background?Ī CSS animated backdrop is a visual effect that adds motion or movement to the background of a web page using CSS (Cascading Style Sheets). Finally, by bringing attention to particular regions of the page, dynamic backdrops can be utilized to direct the user’s focus toward key material or calls to action.įAQs about CSS animated backgrounds 1. Moreover, animated backdrops can be used to create a specific mood or ambiance.įor example, they can use subtle motion to generate a peaceful effect or more pronounced motion to create an exciting atmosphere. Second, by including relevant graphics or colors, CSS animations can be utilized to support a brand or aesthetic. The CSS animated background snippets from this article are suitable for different levels of developing skills, so we are sure everyone will find something.įirst off, animated backgrounds can provide visual intrigue and a sense of movement to a website, helping to draw users in and give it a more dynamic feel. We want to share a few of our favorite ones with you. Our team at Slider Revolution has researched CSS animated background examples that can help you create fun websites. ![]() Using nothing but CSS codes, you can develop beautiful background effects, from static background images, to animated backgrounds that will make your website more interesting You don’t need to know JavaScript or even HTML and create different kinds of animations and environments on your website. You can use CSS to create trendy animations and visual effects. Cascading Style Sheets (CSS) can help you do more than just determine colors, fonts, or the positioning of certain elements. ![]()
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![]() ![]() The Extended Duration Orbiter pallet was used by the orbiter in thirteen of the pallet's fourteen flights, which aided lengthy stays in orbit for scientific and technological research missions. Columbia was used for eleven of the fifteen flights of Spacelab laboratories, all four United States Microgravity Payload missions, and the only flight of Spacehab's Research Double Module. While it was seldom used after completing its objective of testing the Space Shuttle system, and its heavier mass and internal airlock made it less than ideal for planned Shuttle-Centaur launches and dockings with space stations, it nonetheless proved useful as a workhorse for scientific research in orbit following the loss of Challenger in 1986. Columbia also carried ejection seats based on those from the SR-71 during its first six flights until 1983, and from 1986 onwards carried an imaging pod on its vertical stabilizer.ĭuring its 22 years of operation, Columbia was flown on 28 missions in the Space Shuttle program, spending over 300 days in space and completing over 4,000 orbits around Earth. In addition to a heavier fuselage and the retention of an internal airlock throughout its lifetime, these made Columbia the heaviest of the five spacefaring orbiters around 1,000 kilograms (2,200 pounds) heavier than Challenger and 3,600 kilograms (7,900 pounds) heavier than Endeavour. ![]() As only the second full-scale orbiter to be manufactured after the Approach and Landing Test vehicle Enterprise, Columbia retained unique features indicative of its experimental design compared to later orbiters, such as test instrumentation and distinctive black chines. Named after the first American ship to circumnavigate the upper North American Pacific coast and the female personification of the United States, Columbia was the first of five Space Shuttle orbiters to fly in space, debuting the Space Shuttle launch vehicle on its maiden flight in April 1981. ![]() Space Shuttle Columbia ( OV-102) was a Space Shuttle orbiter manufactured by Rockwell International and operated by NASA. ![]() ![]() And feeling sexually attractive is surely a good thing for your overall self-esteem and intimate relationships. Positive genital self-image correlates with greater sexual self-esteem (6). People’s bodies need to be properly understood, represented and respected. Their art is contributing to a crucial need for a resource of inclusive genital diversity, including intersex anatomy. Thanks to photographers Katie Huisman and Nick Karass, as well as artists Jamie McCartney, Katja Tetzlaff and Club Clitoris, accurate vulval variation is being exposed. Pressure to fit aesthetic “norms” and to meet absurd cultural standards of beauty, however, are not helpful or positive contributions towards a person’s decision and are alienating to the majority of vulva owners. Genital plastic surgery is a personal choice and someone’s reasons for undergoing surgery, whether as a way to feel more comfortable about themselves, alleviate a painful abnormality, for sex reassignment, or any other reason, are deeply individual. The personal predispositions of plastic surgeons, who are more open to performing labia minora reduction procedures in the absence of physical complaints, could also be influencing this trend (5). This is fueling insecurities and could be why more people - and in particular teenagers - are turning to genital plastic surgery such as labiaplasty for purely cosmetic reasons (3). Unreliable representations and mislabeling of the female anatomy have created baseless ideas on what is “normal.” And this is perpetuating the idea that there is just one ideal labia, when they come in many colors, shapes and sizes. Tiny labias have become glamorized and ubiquitous in the limited (and often artificial) depictions of vulvas out there (4). Pubic hair removal has also contributed to this notion as it exposes the genital area. Cultural influences like porn have led the labia minora, also known as the “vaginal lips,” to become a distinct factor in what is deemed attractive for genitalia (3). ![]() ![]() ![]() There is currently a lack of research regarding ACEs scores among graduate students in the helping profession. (1998) found that higher numbers of adverse childhood experiences (ACEs) correlate to an increase in health risks and risky behaviors in adulthood. ![]() Traumatic childhood events have the potential to shape later life experiences and choices (Layne et al., 2014). Finally, we will focus on an extended case study of a patient our team has treated for more than 10 years. We will describe the kind of patients who require this high intensity service, the essential elements of the method, empiric outcomes data, barriers and facilitators to effectiveness, the implications of the structure of the team, and the financial model that we have developed for our work. ![]() At a time when “burnout”threatens the integrity of our field, this model improves outcomes, decreases costs, and improves staff and patient retention. This practice requires that the team understands each discipline’s role and that team communication is built into practice. Our model focuses on comprehensive evaluation, an integrated formulation that adequately addresses all of the problems, and a rehabilitative holistic treatment plan that targets both physical and mental health conditions provided by a highly coordinated interdisciplinary team of providers. We are currently focusing our attention in Kensington and North Philadelphia, areas of Philadelphia that have been most hard hit by the syndemic with high rates of overdose death, new HIV infection, and epidemic Hepatitis A. Our model of Integrative Medicine provides a methodology and a skill set that has been successful at treating individuals with co-existing chronic physical and mental health conditions including substance use, severe mental illness, chronic pain, trauma, infectious disease, and other chronic conditions that are comorbid and syndemic, difficult or impossible to treat in isolation and occur more commonly in impoverished communities and people of color. We have published a textbook on this subject entitled, Integrative Medicine for Vulnerable Populations: A Clinical Guide to Working with Chronic and Comorbid Medical Disease, Mental Illness, and Addiction. ![]() This has never been more important than now, a time where the iatrogenic opioid epidemic has occurred along with the widening illicit use of fentanyl and fentanyl opioid derivatives. These skills are not given enough focus in current medical school curricula or post-graduate psychology training programs. Decreased cost and improvements in treatment outcomes for complex patients demand that providers learn a new set of clinical skills. We focus our attention on the opioid epidemic as it kills Americans by the tens of thousands and is currently the greatest threat to health. The American healthcare system has failed to address the needs of vulnerable patients with multiple, chronic, co-morbid conditions. Lastly, reflections from the three presenters will be discussed and how this “Reverse Engineering”and compassionate approach helps their clinical work become rewarding, engaging, and buffer against burnout. Further, this presentation will discuss how compassionate care can create a context where evidence-based/informed interventions can be “uptaken”by patients, especially patients that are coming from complex psychosocial contexts. Data will be presented regarding a clinic’s patient satisfaction and provider engagement scores that support compassion being cultivated in the medical clinic through these initiatives. To this end, this presentation will discuss the concept of “Reverse Engineering”and provide attendees actionable steps to help them infuse compassion within their PCBH and medical visits. Integrated behavioral health models are not immune to this reality and while not empirically researched, one could posit that models such as Primary Care Behavioral Health (PCBH) are vulnerable to succumbing to the dearth of compassion in healthcare, and, at times, promoted an algorithmic and biomedical approach to behavioral health needs. This decrease in compassion has correlated to worse health outcomes, lower treatment adherence, and provider burnout, among other healthcare outcomes. Unfortunately, and quite ironically, during this same time (i.e., increasing evidence detailing the importance of compassionate care), an equal amount of research is showing that healthcare in the US is becoming less compassionate. SummaryGrowing research is detailing the importance of healthcare being delivered in a compassionate manner. ![]() ![]() ![]() In Theme Digital Store I’ve created, I used variables for theme colors, border-radius, border colors, header/columns background and others. ![]() scss files available for compilation located in sass Theme folder. It makes the development process easier and flexible. In prestashop it uses “scss” syntax, similar to css, but Sass allows creating variables and mixins and replace similar repeatable styles with variables. In this article I’ll describe how I used Sass in Prestashop Theme development process. ![]() Structured or named differently, you may need to adjust the configurationĪbove.Prestashop 1.6 default theme was developed using Sass. That’s everything you need to get started! Please note that if your files are (Make sure it’s enabled by clicking the icon in your browser’s toolbar.) This functionality to work, you can purchase LiveReload or just install the free This tells Grunt to alert LiveReload thatįiles have changed so that it can automatically refresh your browser window. You’ll notice that there are a few livereload flags in the Grunt configurationįile above. Run grunt watch (in your project’s root directory)Īnytime you want Grunt to start watching your files. Run Grunt Command to Watch Your Files: Now that everything is downloadedĪnd configured, we simply need to run a single command to make Grunt start.It also tells Grunt to execute the tasks anytime This configuration file setups up a number of tasks for concatenating, compilingĪnd minimizing the JS and LESS. If this file already exists, just add the entries in the You’ll need to create a package.json file with Now we need to configure the necessary packages so that all the Grunt plugins Need to exit your terminal window and reopen it again to gain access to theĬonfigure NPM’s package.json with Grunt Plugins: Ok, NPM is installed. Sudo npm install -g grunt-cli (After the installation is complete, you may Install Grunt: Because you’ll be using Grunt a lot, it’s easiest to just Install NPM (the Node.js Package Manager). Node.js, you’ll need it to access these tool. Install Node.js (with NPM): Even if your project isn’t written in Note: I know this seems like a lot of steps, but often times many of themĪre done already - especially if you’re working on a Node.js project In Grunt, however, we need to explain these procedures via a configuration file.ĭon’t worry. Watching the files and automatically recompile. Options and set the output paths, then you’d be good to go. In CodeKit, you’d drag this whole folder into your window. We also have a style.lessįile (that imports the other underscored. We have 3 JavaScript files in the /javascript directory that need to beĬombined and minified into /public/js/. Suppose we have a project using JavaScript and LESS. It’ll allow other developers (who may not have CodeKit installed) to easilyįollow the same workflow when they open your project. ![]() You’ll be able to reuse many of the same build tasks and Makes sense to leverage it for the real-time compiling and reloading of Given that Grunt has these features, once it’s integrated into a project, it Package for watching files (the same way CodeKit does) and firing off certain LESS/SASS into CSS, concatenating JavaScript, minifying, etc. Is a task runner that has a ton of packages for doing things like compiling Have been using Grunt for various building tasks. With that said, I’ve found myself doing lots of Node.js development lately and It’s served me well for years and I continue to use it on many of my projects. Let me start by saying that I’m a big fan of CodeKit. ![]() ![]() ![]() They are beautifully written and, therefore, fun to play. Many of the Burgmüller studies are related to some aspects of piano technique, like developing speed, tone control, pedal use, scale playing, etc. Burgmüller Opus 100 & Opus 109 are excellent and beautiful pieces of music. I would recommend mainly using appropriate repertoire pieces from different style periods. I want to advise you to do these under the guidance of an experienced piano teacher. A lot of aspects need to be carefully observed. The exercise from Leschetizky is challenging to execute flawlessly. 9, and a few of the piano studies from F. Some examples are the five-finger exercise from T. However, it is important not to overdo these exercises! If done in moderation and seen as a moment of focus and concentration, incredible benefits will come from it. If done correctly, practicing this kind of exercise reaps tremendous benefits. There are many other excellent scale books out there.įinger isolation/independence. This book contains all major, minor, and chromatic scales and is excellent to start your daily practice with. I can recommend "the book of scales, chords, arpeggios, and cadences" by Palmer, Manus, and Lethco. I recommend getting a good scale and arpeggio book, as it is an investment in your piano technique that has actual value. Focussing on a beautiful sound, thinking beat, and equality of sound is vital. Scales and arpeggios should be practiced in legato as well as staccato. A commonly heard mistake is creating a louder sound on notes played with the thumb versus other fingers. Always work on making all notes in the scale and arpeggio sound equal. If done correctly, practicing scales gives tremendous benefits. And same as mentioned above, this, in turn, helps with the playing of all music.įurthermore, playing scales helps us focus on other important aspects of piano technique, such as developing agility, speed, touch, evenness of sound, and strength. Another reason why practicing scales and arpeggios is a must, is to become familiar with all the different key signatures and the scales and chord patterns within these keys. ![]() ![]() Being able to play these patterns instinctively is a crucial aspect of piano playing. Most music is made up of scale patterns, broken chords, parts of scales, etc. If practiced regularly, these finger patterns become second nature, which helps with the playing of pieces. Scales and arpeggios each have their own distinct use of finger numbers. Right from the early stages of learning a must. ![]() ![]() I'm just glad the two-tiered method for saving non-destructive edits exists! It saved me from having to dig into my backups to restore files. It could be a bad block on a disk, cosmic rays. I believe this to be a case of the sidecar file being corrupted in some way. It has happened to one and only one of my photos among thousands and thousands in my library. And we're running experiments to see if the problem is reproducible. If you are using Windows Authentication I think you will face this issue. I've already been in touch with ON1 about this phenomenon. And yes, I did stop and restart Photo RAW after the sidecar file was regenerated. That's enough to refresh the sidecar file. For example, raise the Exposure slider and then Undo the operation. Sklum removed the ability to create custom workspaces and workflows, which made using Luminar. I quickly open the Develop module and make a token change. Luminar 4 is a HUGE STEP BACKWARD from its predecessor, Luminar 3. The sidecar files are generated when a processing change is made. By renaming the sidecar, Photo RAW used its internal database to appy the changes instead. ![]() Apparently, Photo RAW reads the sidecar if its present. You did not need to worry if you did not have a fast computer, as all of the images are. Photo RAW keeps its own copy of the changes in its internal database. Version 3 included a powerful cloud-based batch image editing feature. how did those edits come back? Remember I said the ON1 sidecar file is a backup of the non-destructive edits. ![]() And even better news! All of my non-destructive edits are intact. Well - our does anyway.I restart Photo RAW. We still are missing the TOC synchronisation but I feel more hopeful than before that we will find a fix for this as well.Īdvice to other project support managers: If you can't get a response from Adobe TCS support, try going to your corporate account manager first they seem to be able to pull strings that make thing happen. Guess what? RH lets you put the space there, but then goes to pieces when you publish to the RH server, sprewing its files all over the place and making a general mess of things without generating a single helpful error message.Īfter spotting and removing the trailing space, everything went according to plan, except for the dysfunctional Search, which was resolved by copying the missing files into the whxdata and whdata folders. What happened there was, we finally found we had a spurious trailing space character after the project name in the SSL layout. We had problems publishing to the RH server I will probably need to create a separate item about that in the RH server forum. Re-installing RH10 on the local computer had no effect at all. By "working problem" I mean (in our case) a new project This fixes the dysfunctional Search problem. The missing JS packages in whxdata can be inserted via a simple copy-paste operation from a working project (but insert only the missing packages). Things are finally moving toward a resolution.
![]() ![]() ![]() Create a catchy company slogan.Ī slogan should be memorable it should be something brief and descriptive in nature. You'll need it later on when you're putting together your website, so be sure to do it right away. Choose your colors, fonts, and company logo.Īs soon as you have decided on a name for your company, start thinking about how you will represent your company through typography, a logo, and the colors of the font. Make it recognizable and descriptive as well. Keep your company's name short, make sure that clients can remember it, and make sure that it is easy to pronounce and spell properly. Discover who your competitors are, as well as, more importantly, who your potential customers are. Understanding the market you are targeting is essential before making any decisions about your company's branding. What do you think your position is in the market? Follow our 3 steps and create a logo online. 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Make Logos Free online (MLFO) is an easy-to-use online logo maker, that lets you design a logo design via your browser. ![]() ![]() ![]() In the middle of the rev range the 35 TFSI has a greater deal of punch, however it is still relatively slow off the line, as evidenced by its 9.3-second 0-100km/h sprint time. ![]() Performance from the 1.4-litre mill is appropriate but modest, and is better suited as a regular daily driver as opposed to a small family car that can pull double duty as a fun hot-hatch-like SUV. ![]() The entry-level 35 TFSI uses a powertrain that should by now be familiar to those who know Volkswagen Group products – a 1.4-litre turbo-petrol four-cylinder developing 110kW/250Nm, driving the front wheels via a six-speed dual-clutch automatic transmission. With its sloping roofline, headroom for rear occupants over 6ft tall is marginal, however the Q3 does offer comfortable lateral room.Īudi has done a good job of retaining the same amount of load space below the tonneau cover in the Sportback (530L), however with the rear seats folded, it does sacrifice 125L. This level of spec is generous for an entry-level offering, while the 40 TFSI adds quality features such as comfortable heated and electric front seats with side bolstering and leather/Alcantara trim, the S-line sports steering wheel with paddle shifters which sits perfectly in the hands, a 10-speaker premium sound system and a larger 12.3-inch Virtual Cockpit instrument cluster display.ĭespite being one of the first brands to offer a digital instrument cluster, Audi’s display remains a benchmark thanks to its extensive customisation, which surpasses anything Mercedes or BMW can offer.Īudi’s MMI infotainment system features slick graphics and a relatively easy interface to navigate, however the move to integrate controls into the touchscreen – a trend multiple car-makers have jumped on in order to declutter the cabin – has made the process of navigating the MMI more fiddly and difficult.Īudi models previously offered a button/dial set-up placed on the centre console similar to BMW’s iDrive controller, which took up some space but generally meant you could spend far more time with your eyes on the road while navigating the system. Inside, the stylish theme continues, with Audi living up to its reputation as one of the best brands in the business when it comes to a clean and sophisticated interior layout.īoth the 35 TFSI and 40 TFSI feature a comfortable and well-specified cabin, with generous standard specification including dual digital infotainment and instrument cluster, leather upholstery, wireless phone charging and dual-zone climate-control air-conditioning for the 35 TFSI. The sloped-back silhouette, larger alloy wheels and S-line exterior styling enhancements make for one of the most stylish small SUVs on the market, clearly fitting the bill of a visually enhanced Q3. The biggest distinguishing factor of the Q3 Sportback is its exterior styling, which in the flesh makes for a far more dynamic and sportier look than the regular Q3. Variant choice mirrors that in the Q3, with the entry-level 35 TFSI, more potent 40 TFSI quattro and exclusive 35 TFSI Launch Edition being offered out of the gate, which will be followed by the hi-po RS Q3 around August. The Q3 Sportback range largely mirrors that of the regular Q3, with the same choice of variants and a slightly enhanced level of specification, which results in a roughly $3000 premium over the wagon body. With a sportier overall design and some minor spec changes, has the Sportback emerged as the most desirable iteration of the new-generation Q3? Expect to see the Q3 in South Africa during the second quarter of 2012.ONE of the most unexpectedly popular automotive trends of the past decade has to be the coupe-style SUV, giving customers the option of a sportier look for their SUV, which has been slowly surpassing passenger cars as Australia’s favourite vehicle type.įirst kicked off by BMW with the X6, other brands have jumped on the coupe-style SUV bandwagon with models like the Mercedes GLC and GLE Coupes, the Porsche Cayenne Coupe and the Audi Q8.Īudi wasn’t satisfied with having the top-spec Q8 as its only slope-backed SUV, and as such has introduced the Sportback body style to its popular Q3 small SUV, which arrived in new-generation guise late last year. These pictures of the most compact Audi SUV to date were taken on the international launch in Switzerland see our driving impressions in the Latest Launches section of IOL Motoring. ![]() ![]() ![]() Detailed advice on how to estimate a farm's water needs and plan for the relevant water systems is available here.Ī lack of dietary copper can cause diseases like anemia and other health problems in camelids. Llamas and alpacas need a reliable supply of fresh water. Still, there are additional techniques that farmers could follow to help pastureland recover quickly and easily. This, combined with the unique way in which they graze – without uprooting plants – means they are less likely to damage pastures. Llamas and alpacas do not have hooves and this means they cause less damage to the environment. Those who rely on feed as part of their animals’ diet will be interested in a discussion about the risks of mold and mycotoxins growing in feed, as well as learning how to test feed for toxins and deal with contaminated feed. Herd owners can find out more information about the different types of grains, feeds, and supplements suitable for camelids. Yet, there may be a need for supplementation at certain times depending on the needs of individual herds and animals. The llama diet consists mainly of grass and shrubs and the same is true for the nutritional needs of alpacas. Tips on body condition scoring and the prevention of hepatic lipidosis are also provided in this section. A broad range of topics related to managing camelid nutrition for llamas and alpacas is also covered: copper nutrition, salt feeding, the effects of forage quality. Mine has a fancy laser that makes it pretty easy to follow the lines.What do llamas and alpacas eat? Penn State Extension offers an answer to this and many other questions related to the llama and alpaca diet. Use the jigsaw to cut along the lines you made. Drill four holes, one in each corner using a drill bit that is wider than the jigsaw blade. There were horizontal grooves along the top and bottom of my barrel, I followed the middle ones but I might go back and make the hole in the barrel a little wider. That gives them enough room to get their heads in while still leaving room to hold a few flakes of hay.įirst I drew a line across using a piece of scrap lumber for a straight edge, moved about 1/4 of the barrel down and did the same. I wanted to make my opening about 1/4 of the barrel. I don’t believe in measuring, I’m a fan of the eyeball method but do what makes you comfortable. You might need a bit of sandpaper and something to draw a straight line. There are probably other types of saws that would work but I used what I had on hand. You will also need a drill, a marker and a jigsaw. The only other supplies are a piece of scrap lumber and a few washers & screws. That will be the only thing you might have trouble tracking down. ![]() ![]() I don’t know where it came from but it’s been sitting in my garage for several years. ![]() The main ingredient if you will for this project is a white barrel. Just like my last project, the DIY chicken roosts, this was completed for free! DIY Hay Feeder Supplies I had a few minutes today so I took a quick inventory of my random junk hoard and came up with this idea. It also came in contact with a nail at some point and it’s dead now. Last year I used a hay bag, and it worked fairly well but it couldn’t hold that much and it was a paint to fill. Hay is an important part of their diet so I needed a way to serve it up without waste. I feed the alpacas hay from October/November to May/June depending on the weather. Hay isn’t free, I’m lucky enough to buy it from a neighbor but money is money and I hate to waste anything. I can’t throw hay out for them without it getting scattered all over in a minute or two. My alpacas Fred and Oki are constantly battling the chickens for food. I have had building a hay feeder on my long list of barn chores/renovations for a while. ![]() |
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